A little late, but here is the first week's piece. Part of my personal goals are to do things I don't ordinarily do, such as use stones that inspired me once to buy them but then I never did anything with, try new designs, approachs and techniques, and to make some more elaborate pieces I normally only get around to doing for commission. This piece incorporates a couple of those goals: using a stone I bought a long time ago and never got around to, and trying out a different approach.
The stone is a piece of petrified wood, one of several I bought some years back and never used. I like this batch of stones because of the unusal markings and shapes. Petrified wood seemed appropriate to the earth theme, as well as the clear/smokey quartz and pearls.
There were several design challenges on this one. One, was that it's a pretty thick stone (like a domino thickness) with straight vertical sides, which means the bezel wrap is extra wide. Using 24 gauge wire, that made it 14 wires wide. I had to be careful with bunching when wrapping. If I had a do-over, there were 4 twisted wires in the middle of the pattern on the side that I would have mixed some square in with since that was the worst culprit for wanting to bunch.
The next thing that was a bit fiddly was that, inspired by the vertical division of light/dark in the stone color, I thought it would be cool to wrap it with silver on the light half and gold on the dark half, then follow that theme with light/dark quartz hanging off of it. I debated just mixing gold/silver in the overal bezel and somehow switching the dominant color to the front on the appropriate side. Then I decided to just do the whole entire side for each in one solid color. That meant I had to start at the hookup (bottom center) instead of at one end and going around. Just doing the hookup of the two metals was no biggie with a little planning, but the loops really complicated it because I had to start with the gold completely to one edge and juggling 14 wires initially without being able to stabilize them with a temporary binder because I needed to free up one of the center wires to create the loops. In retrospect, I would have preformed at least the first loop so I could have temp wrapped the bundle while I was stabilizing the end with the hook. Things kept shifting where the loop I had to leave for the silver to hook in later needed to go, and I eventually put in a temporary spacer so I didn't lose it as I worked. The silver side was easier since I could start wrapping at the lower corner and work toward the bottom center, hooked it together, then went back and finished going up the sides.
Anyway, that was the unexpectedly fiddly bits. Other general design stuff, I did some random diagonals and wraps on the side, which looks pretty cool since it's such a deep bezel. Mixed gold and silver together in the bail, the only place. Debated on prongs versus kicking in wires, and decided I wanted less wire on the face of the stone. I did curve the prongs to follow the grain of the wood a little, something a little different for me. It doesn't show, but the white side is more shallow. I brought it all flush to the front, but that leaves the white sunk in a little on the back. On the back, laid in some tiny pearls in that sunk area, partly for appearance and partly for stability.
The only other thing, I'm going to look at it for awhile, but I may rework the smokey quartz dangles and take out some of the larger white pearls. I'll keep in a few of the flat pearls to tie the sides together, but I'm thinking the larger ones take away from the dark/light, silver/gold contrast a little. Opinions?
Jeannie